UPCOMING SHOWS:

Scintillating, do-good cleverness from @LuckyPlush…” –Wendy Perron

 

Created, directed, and choreographed by: Julia Rhoads

Devised in collaboration with the Ensemble:

Michel Rodriguez Cintra: Springster

Jeff Ewing:  Shadow* 

Elizabeth Luse: Professor Visionné

Jamy Meek: The Big Liberjinski**

Melinda Jean Myers: Mmm

Aaron R. White: Rapid Glitch***

Meghann Wilkinson: Sparky Lightstep

Sojourner Zenobia: Onstage Media Artist

 

* Special thanks to Marc Macaranas for his contributions to originating the role of Shadow

**Special thanks to Benjamin Wardell for his contributions to originating the role of The Big Liberjinski

***Special thanks to Daniel Gibson for his contributions to originating the role of Rapid Glitch

 

Collaborating designers/production team:

Liviu Pasare: Video/Media Design

Michael Caskey: 

Original Music

Mikhail Fiksel: Sound Design

Kevin Rechner: Lighting Design

Jeff Hancock: Costume Design

Scott Nelson, Joshua Paul Weckesser: Production Stage Manager

Leslie Buxbaum Danzig: Production Consultant

Bradford Chapin: Audio Engineer

Commissioned by Chicago’s Harris Theater for Music and Dance and the Pamela Crutchfield Dance Fund of the Imagine Campaign, SuperStrip draws from classic pulp novels and comic books in a blend of dance, theater and visual design that moves between live performance and projected video in unexpected ways. Trip the Light Fantastic: The Making of SuperStrip premiered Thursday, March 3, 2016, marking Lucky Plush Productions’ debut at the Harris Theater for Music and Dance.

Though Rhoads finds inspiration from classic pulp superheroes, and has fun weaving in riffs on the exhausting trend of hyper-personal branding via social media, the themes of SuperStrip are particularly relevant to her experience leading a non-profit organization. ‘So often organized efforts to effect change – to improve workplace, community, or more broadly to make the world a better place – can be incredibly circular, stunted by non-consensus, or limited by the politics that frame the efforts,’ explained Rhoads. ‘While the characters of SuperStrip are invested in deeply held values, they are challenged to uphold their importance within contemporary platforms that support empty self-promotion and flavor-of-the-day innovation, like so many people today from all walks of life.’ Ultimately, SuperStrip reveals how communication’physical, verbal, and online’is constructed, laid bare, breaks down, and evolves within small, and often insular, communities.

Krannert Center for the Performing Arts at the University of Illinois at Urbana-Champaign supports the creation of Trip the Light Fantastic: The Making of SuperStrip through funding a series of creative residencies for the company to allow the development of the technology and movement vocabulary that is unique to the project. SuperStrip is also supported through a production residency at Martha’s Vineyard’s The Yard, and preview performances at Hope College.