Julia Rhoads Artistic Director/Choreographer/Performer) is the founding Artistic Director of Lucky Plush Productions, and has created over 25 original works with the company including performance installations, 2 dance films and 8 evening-length interdisciplinary productions. Her independent work has been commissioned by Alaska Dance Theater, Mordine and Company Dance Theater, and twice for River North Chicago Dance Company, and she has choreographed for theater, performance and film companies including Lookingglass Theater, Redmoon Theater, Walkabout Theater, Hyperdelic, and M5, among others. Julia has received a Cliff Dwellers Foundation Award for Choreography, two Illinois Arts Council Fellowships for Choreography, a Jacob K. Javits Fellowship, a Chicago Dancemakers Forum Lab Artist Award, and a fellowship from the Maggie Allesee National Center for Choreography, and her collaborative work with Lucky Plush has been awarded a National Dance Project Production Award and a National Performance Network Creation Fund Award. In 2010, she was named one of Dance Magazine’s “25 to Watch” and included in NewCity’s feature “The Players: The 50 people who really perform for Chicago”. Julia is formerly a company member of the San Francisco Ballet and collaborating ensemble member of XSIGHT! Performance Group, and she has been a guest artist with Beppie Blankert Danceworks, the Itinerant Theater Guild, and Baubo Performance Project. She earned a BA in History from Northwestern University and an MFA from the School of the Art Institute Chicago, and is currently the Theater and Performance Studies Dance Advisor at University of Chicago, and on faculty in the theater department at Columbia College Chicago.
Lia Bonfilio is from Minnesota. She has an Associate's Degree in Liberal Arts from New York University and a BA in Dance from Columbia College Chicago. Lia has danced with Mordine and Company Dance Theater and numerous independent choreographers, and she joined Lucky Plush Productions during her senior year at Columbia College. Lia is now in her 4th season with the company.
Marc Macaranas is originally from Delano, CA. He graduated cum laude from the University of California, Irvine. Since 2006, he has performed in Chicago, across the US and abroad with Lucky Plush Productions, The Seldoms, DanceWorks Chicago, Luna Negra Dance Theater and RubberbanDance Group. Currently, he presents his own solo work as The Visitor(s) and is the co-founder of a line of elevated popcorn called PoshCorn.
Melinda Myers grew up in Stevens Point, Wisconsin where she trained in dance and music from a young age. She received her MFA from University of Iowa in 2012 and BFA from New York University in 2005. She was a member of Trisha Brown Dance Company from 2006-2010 and performed throughout Europe, South America and the U.S. She has re-staged Trisha Brown's repertory at BARD College and University of Iowa. Melinda is currently working with Lucky Plush Productions and creating choreographic works in Chicago. Her choreography has been presented throughout the Midwest, NYC, Germany and South Korea. She is investigating creative endeavors combining theater, music, dance and storytelling in her current classes and performance works.
Cassandra Porter began her dance training at Bonnie Ardelean's Dance Studio in Aurora, IL. After graduating, she continued her training in Giordano Jazz Dance Chicago's second company, Giordano II. Her professional credits include Royal Caribbean Cruise Line, where she performed the choreography of Harrison McEldowney, Jeremy Plummer, and Sherry Zunker, and was also a featured aerialist in the first grand scale illusion show at sea. Since 2003, she has danced in Chicago Symphony Orchestra's annual Christmas show, Welcome Yule! In the summer of 2007, Cassandra was one of twelve girls to appear on the CW network TV show "The Pussycat Dolls Presents: Girlicious". After four years with River North Dance Chicago under the artistic direction of Frank Chavez, Cassandra is happy to join Lucky Plush Productions for her first season!
Julia Wollrab studied at the National Ballet School of Canada in Toronto and entered the National Ballet of Canada in 1987, later becoming a soloist. In 1995 she joined the Ballet du Grand Théâtre de Genève in Switzerland, and performed the works of Amanda Miller, Ohad Naharin, Michel Kelemenis, Nacho Duato, William Forsythe and Maguy Marin, among others. After working with Galili Dance in The Netherlands, and Ballet British Columbia, Wollrab danced with Hubbard Street Dance Chicago from 2002-2006. She is now studying full-time at the University of Chicago.
John Boesche has created scenic and projection designs for the Chicago Shakespeare Theater, Goodman Theatre, Lookingglass Theatre, Marriott Lincolnshire Theatre, Royal George Theatre, Steppenwolf Theatre and others. Broadway credits include The Glass Menagerie at Roundabout Theatre, directed by Frank Galati. Regionally his work has been seen at Arizona Theatre Company, Asolo Theatre (Sarasota), Denver Center Theatre Company, Geffen Playhouse (Los Angeles), McCarter Theatre (Princeton), Milwaukee Repertory Theatre, New York Shakespeare Festival (NYC), Seattle Repertory Theatre, Shakespeare at the Folger (Washington DC), South Coast Repertory (Costa Mesa), Theater On The Square (San Francisco), Victory Gardens Theatre among others. John received a Joseph Jefferson Special Award for projection design in 2005. His designs for opera have been seen at Austin Lyric Opera, Barbican Theatre Centre (London), Brooklyn Academy of Music, Canadian Opera Company (Toronto), Dallas Opera, Houston Grand Opera, Lyric Opera of Chicago, Opera Lyon, Opera Pacifica, Portland Opera, Salt Lake Opera, San Francisco Opera, Theatre de la Monnaie (Brussels), Washington Opera (DC), and Vancouver Opera, among others. John's projection designs for dance include Liz Lerman Dance Exchange, Mordine and Company, and this is his 3rd project with Lucky Plush Productions.
Choreography, Artistic Direction
Peter Carpenter is an independent choreographer whose physical theater performances have often intersected with political activism and critical theory. Often acclaimed for his choreographic staging of queer theatricality, Carpenter has dedicated the majority of his career to tracking the complex ways in which identity has been shaped in subaltern communities by HIV/AIDS. His independent work has resulted in numerous repertory pieces and four evening-length works including Bareback Into the Sunset (2003), which, since its premier performance at Highways Performance Space in Santa Monica, Calif., has been seen in excerpted versions at numerous conferences and performance events commemorating World AIDS Day. The full-version of Bareback Into the Sunset was recently presented by the Dance Center of Columbia College. Carpenter's work as an independent artist has been presented by numerous galleries, museums and theaters including the 29th Street Repertory Theater in New York, the Steppenwolf Theater, Chicago's Links Hall, and the Ackland Art Museum in Chapel Hill, N.C. Carpenter has also received funding to create new work from the Chicago Department of Cultural Affairs and the Illinois Arts Council and has received a Joseph Jefferson Citation for Outstanding Theater Choreography. Carpenter's independent work has been supplemented by affiliations with Chicago's XSIGHT! Performance Group where he served as an artistic associate (1993-2001) and the StreetSigns Center for Literature and Performance in Chicago and Chapel Hill, N.C. where he served as the resident choreographer (1992-2001). As a member of XSIGHT! Carpenter presented worked at the University of Illinois at Chicago, Northwestern University, Wesleyan College, University of Alaska in Anchorage and Fairbanks, Dance Works in Milwaukee, Wisconsin, and the MEX experimental theatre in Louisville, Kentucky. Carpenter received his M.F.A. in Dance from UCLA's Department of World Arts and Cultures in 2003 and is currently writing his dissertation for a Ph.D. in Culture and Performance Studies (also from UCLA). He received his B.S. from Northwestern University's Theater Department in 1992. Carpenter is currently a full-time faculty member at the Dance Center of Columbia College in Chicago.
Jeff Hancock was a founding member of River North Dance Chicago, has danced for Hubbard Street Dance Chicago, Jan Erkert & Dancers, Dance Kaleidoscope, WatsOn Dance, and Same Planet Different World Dance Theater, where he was Co-Artistic Director for several years. He has appeared in many productions with the Lyric Opera of Chicago, most recently working with Wayne McGregor of Random Dance, and Sir Peter Hall. West Side Story, Song and Dance, Oklahoma, Romeo and Juliet, and Disney are some of the tours he has been a part of, nationally and internationally. His independent choreography has been created for River North Dance Chicago, Hubbard Street 2, Columbia College, Northwestern University, the Edinburgh Festival, Ruth Mitchell Dance Theater, Dance Chicago, Same Planet Different World, The Next Dance Festival, and Ohio Northern University among others. He has been teaching since 1990, at a variety of dance schools, festivals, and universities, including Columbia College Chicago, Northwestern University, University of Arizona Tucson, Butler College, Lou Conte Dance Studio, Chicago National Association of Dance Masters and others. Jeff has been nominated for Ruth Page Awards for his dancing and choreography, and is an Illinois Arts Council grant recipient. Jeff has been designing and constructing costumes for over 20 years. He has created costumes for numerous choreographers and companies including River North Chicago Dance Company, Gus Giordano Dance Chicago, Same Planet Different World, Shirley Mordine, Columbia College, The Dance COLEctive, among many others. His design company, -ish, was formed in 2007. Recent designs include the world premiere of Train by Robert Battle for River North Chicago, Robert Battle's Takademe and Etude for Danceworks Chicago, Mordine & Co.'s Illuminations, the critically acclaimed world premiere of Lucky Plush's Cinderbox 18 at the Museum of Contemporary Art, and Peter Carpenter's The Sky Hangs Down Too Close.
Lighting Design, Technical Direction
Kevin Rechner is excited to again be working with Lucky Plush Productions. He has recently designed lights and Stage Managed for Peter Carpenter's Bareback into the Sunset, Lucky Plush's Cinderbox 18 and The Sky Hangs Down Too Close, Natya Dance Theatre's Alakshaya, and Mordine and Company's 40th Anniversary. He also designed the set and lights for Trisha Brown's Set and Reset/Reset at the Dance Center of Columbia College Chicago. He has been the Production Manager, Technical Director, and Lighting Designer for the Dance Center of Columbia College Chicago since 1996. He has a Bachelor's Degree in Theatre from Illinois State University and spent 3 years in Paris, France studying Movement Theatre with Jacques Lecoq and Daniel Stein. He has created 4 solo performance works including, I AM HUGO. Technically, he has worn many hats for many people and served as the LD / TD for the Dance Division of the National High School Institute for 5 years, and can still say "STOP" and "NO" in many languages.
Web - StealThisDance.com
Ian Hatcher is a digital media writer, programmer, and musician. His work has been presented at the 2008 Electronic Literature Organization and Electronic Literature in Europe conferences and published by Counterpath Press and the New Yinzer. He composes for the Moving Architects dance company and performs live from time to time. He is currently a graduate student at Brown University.
Jeremy Blair began training as a gymnast at age three and he discovered dance while at Milikin University where he graduated magna cum laude with a BA in Theatre and a minor in Dance. Before finishing school, he had the opportunity to spend a summer in Paris training and performing with Friches Theatre Urbaine where he learned stilts, trapeze, and other circus arts. Since moving to Chicago he has performed with AMEBA Acrobatic and Aerial Dance, Chicago Moving Company, Khecari Dance Theatre and is currently in his third season with Thodos Dance Chicago. In addition to dancing and choreographing, he is a registered Hatha Yoga instructor. This is Jeremy's first season with Lucky Plush Productions.
Asimina Chremos began her professional career at age 17 with the Pittsburgh Ballet Theatre, and later earned a BFA in Dance, summa cum laude, from Temple University. She continues to be an avid student of new approaches to work with the dancing body including yoga, continuum movement, butoh, contemporary release techniques, meditation and contact improvisation. She has worked in various guises with Links Hall, Lou Conte Dance Studio, Movement Research, the Chicago Dancemakers Forum and dozens of choreographers, musicians, arts organizations and creative projects. Asimina currently maintains a live/work studio, writes for Time Out Chicago magazine, dances with Ayako Kato/Art Union Humanscape and Lucky Plush Productions, and maintains duo projects microgig (with cellist Fred-Lonberg Holm) and Echo Den (with vocalist Carol Genetti).
David Gerber is originally from Minneapolis, MN. David is a recent graduate of Columbia College Chicago, receiving his BA in Dance where he performed in works by Paige Cunningham, Lisa Gonzales, Kirby Reed, Matthew Hollis, and Twyla Tharp. David has danced with The Seldoms and Same Planet Different World Dance and is currently a company member of Mordine and Company Dance Theater. This is David's first season with Lucky Plush Productions.
Kim Goldman has been a collaborating ensemble member with Lucky Plush Productions on seven company works since 2004. She has also danced with Hedwig Dances and Mordine and Company in Chicago, toured Virginia & NY with James Hansen/Assemblage, and danced for numerous independent choreographers in both Chicago and New York. Kim has received Bachelor's degrees in Dance & Psychology from the University of Illinois, and an MFA in Dance Performance & Choreography at New York University where she danced in work by Tere O'Connor, Larry Keigwin and Gerald Casel. Her independent choreography has been presented at The College of William & Mary (VA), Danspace Center, Williamsburg Art nexus, Dance Theater Workshop, and St. Mark's Church. She has been a guest teacher for Luna Negra Dance Theater, and a part-time faculty member of Illinois Wesleyan University and The Dance Center of Columbia College.
Hogan McLaughlin began his dance training at the Academy of Movement and Music in Oak Park, IL. He continued his studies, on scholarship, at the Lou Conte Dance Studio, the school of the Boston Ballet, and under Larry Long at the Ruth Page Foundation. Hogan performed throughout Chicago with the Lyric Opera Ballet and Momenta before joining Hubbard Street 2 in 2007. He was promoted to an apprentice with Hubbard Street Dance Chicago in 2008, performing works by Ohad Naharin, Johan Inger, Marguerite Donlon, Daniel Ezralow, and Toru Shimazaki, among others. This is Hogan's first season with Lucky Plush Productions.
Jon Sherman is a performer, director and teacher who has worked in Washington DC, New York, Chicago, and Switzerland. He is the Artistic Director of Sprung Movement Theatre in Chicago and was one of Jacques Lecoq's last students. He is currently a PhD Candidate in Northwestern University's Interdisciplinary PhD in Theatre and Drama where he is writing his dissertation on the experience and ethics of stage presence in contemporary performance.
Nefertiti Thomas received her B.F.A in dance at Marymount Manhattan College under the direction of Katie Langan-Santee. She has performed work by renowned choreographers such as Hans van Manen, Robert Battle, Denise Vale, Twyla Tharp, Doug Varone, Jaquline Buglisi and others. Nefertiti began her professional career at Hubbard Street 2 in 2007. This is Nefertiti's first season with Lucky Plush Productions.
Meghann Wilkinson is a graduate of Northwestern University and is in her eighth season as a collaborating ensemble member with Lucky Plush Productions. She is a former company member of Mordine and Company Dance Theater and has appeared in Chicago with Smith/Wymore Disappearing Acts, Cie Felix Ruckert, Raizel Performances, NU Group, and Peter Carpenter Performance Project. Meghann has been a guest teacher and choreographer for the Cecchetti Council of America, Fairbanks Summer Arts Festival, and the Evanston Dance Ensemble and was Assistant Choreographer for Lookingglass Theater’s The Great Fire. Currently on faculty at Columbia College Chicago, she has taught at Northwestern University, Dance Center Evanston, and Visceral Dance Chicago and has organized for the Chicago Seminar on Dance and Performance and the Society of Dance History Scholars.
Lighting / Media Design
Julie Ballard is a media artist and lighting designer whose favorite dance designs include 5 Characteristics of Brother (Marquez Dance), Rhapsody (Shapiro & Smith) and Falling on Lobsters in the Dark (Stephanie Carter). She has worked for Hedwig Dance, Mordine and Company Dance Theater, Dance COLEctive, The Seldoms and Same Planet Different World Dance Theater. Julie has been a part of numerous festivals as well as American Dance Festival, and has toured nationally and internationally with David Dorfman Dance. Julie is full time staff and adjunct faculty at the Dance Center of Columbia College. Julie is no stranger to theatre either, working with Signal Ensemble as an Artistic Associate designing both lights and media. She has also worked with Irish Rep Theatre, Grey Zelda and Whitehorse Theatre Company. Some of her favorite theatre designs include Cabaret (University of Florida), 1776 (Signal Ensemble Theatre) and I Sing (Whitehorse Theatre). Julie earned her MFA from the University of Florida. www.overlaplighting.com.
Noé Cuéllar is an artist and curator originally from Laredo, TX. He graduated from the School of the Art Institute of Chicago. A variety of his audiovisual work has been performed or exhibited at Millennium Park's Pritzker Pavilion, Third Coast International Audio Festival, New Music at the Green Mill, Looptopia (Chicago); MEXIC-Arte Museum (Austin); Neighborhood Public Radio/Whitney Biennial (NYC); Megapolis Audio Art and Documentary Festival (Boston); Sound Art Space (Laredo, TX); among others. Recent commissions include National Headquarters, Standing Point Films, and Antibody Dance.
Jocelyn Kelvin is a filmmaker, actress, and yoga teacher. After graduating from Northwestern University in 2007 in Theatre and Creative Writing (Poetry), she immersed herself in learning how to create film. Her interest in expressive movement and music in cinematic storytelling led her to Lucky Plush, and she has been thrilled to work with the company on Punk Yankees this past year. Her narrative dance film This Sandy Cube, choreographed by Erin Carlisle Norton, will be premiering in October at Links Hall as part of the Moving Architects' concert, The Tasting Room.
Stefen Robinson makes music under the moniker Yea Big, which is most commonly associated with the post-punk-glitch-hop group Yea Big + Kid Static. Stefen's interests and musical explorations are heavily influenced by questions regarding private and intellectual property, the concept of fair use, and the principles of Social Anarchis.
Adrian Danzig’s recent credits include The Seagull at Lake Lucille, and Orlando at The Court Theater, in addition to the development of Lucky Plush’s The Better Half over the past year. He regularly performs the shows in the 500 Clown touring repertoire: 500 Clown Macbeth, 500 Clown Frankenstein, 500 Clown Christmas, and 500 Clown Trapped. Adrian has lead workshops in physical theater all around the country, and internationally for the past 10 years. He has performed in shows at The Goodman, The Second City, Steppenwolf Studio, Berkeley Rep, Brooklyn Academy of Music, The Public Theater, and with Shakespeare & Company and Lookingglass. He has performed his solo works at The Kitchen, P.S. 122, The Ontological Hysteric Theater and Soho Rep. He was an early Neo-futurist and a founding member of Redmoon Theater, Hubinspoke Theater and is the founding Producing Artistic Director of 500 Clown. He graduated from NYC’s High School of Performing Arts, received his BA from Oberlin College and his MFA from the School of The Art Institute of Chicago. He has studied clown with CtiborTurba, Philippe Gaulier, Ronlin Foreman, Dominique Jando, ElsComediants, David Shiner, Avner the Eccentric and was a clown with Big Apple Circus Clown Care for 7 years. He is currently writing a book on physical theater with support from the Raven Foundation.
Tim Heck has been an ensemble member with Lucky Plush Productions for She/Three (2006)and The Sky Hangs Down To Close (2008), and will be part of their upcoming tour of Punk Yankees. Since graduating Hope College in 2004, he has also worked and performed with Molly Shanahan/Mad Shak, Redmoon Theater, Thodos Dance Chicago, Giordano Jazz Dance Chicago, and Eisenhower Dance Ensemble. From 2007-2009, he performed as a Blue Man in Blue Man Group at the Briar Street Theater. In 2011 Tim joined the company of 500 Clown for the premier of 500 Clown Trapped!, toured as a part of the performing ensemble with New Belgium Brewery’s bicycle celebrating festival Tour de Fat, played percussion with the Brooklyn-based band The Hollows, and continued as cheerleader for Chicago’s circus-punk-marching band Mucca Pazza.
Co-creator / Co-director
Leslie Buxbaum Danzig is co-founder of the Chicago-based physical theater company 500 Clown, where she co-created and directed 500 Clown Macbeth, Frankenstein, Elephant Deal, and Christmas. 500 Clown has played in Chicago at venues including Steppenwolf and Lookingglass, tours regularlythroughout the US, and has received commissions/fellowships from Clarice Smith Performing Arts Center (MD), College of St. Benedict’s/St. John’s University (MN), and University of Chicago. Other credits include directing Redmoon’s Hunchback at New Victory Theater (NYC) and Float (About Face Theater); touring nationally and internationally as an actor with NYC’s Elevator Repair Service; assisting director Julie Taymor;dramaturg-ing for choreographer Molly Shanahan; and this past summer appearing as Masha in The Seagull in Chekhov on Lake Lucille in NY (director Brian Mertes). Leslie received her BA from Brown University and PhD in Performance Studies at Northwestern University, and trained in physical theater and clown with Jacques Lecoq and Philippe Gaulier. For the past five years, she has taught at the University of Chicago, and recently began a new role at the University as Program Curator for the Richard and Mary L. Gray Center for Arts and Inquiry.
Mikhail Fiksel is originally from Siberia, and is currently a Chicago based sound designer, composer, musician and a dj and a member of StrawdogTheatre Company and 2nd Story. He is also an Artistic Associate with Teatro Vista, Collaboraction and Redmoon Theatre and on the faculty at Loyola University. Recent Chicago work includes projects with The Goodman Theatre, Writers Theatre, Redmoon, Victory Gardens, Lifeline, Northlight, Albany Park Theatre Project, The Hypocrites, Teatro Vista, About Face and Collaboraction. Regional and Off-Broadway: The Geffen Playhouse, 2nd Stage, St. Louis Repertory and Milwaukee Chamber Theatre. International: TukkersConnexion (Arnhem, Holland) and Festival FILO (Londrina, Brazil). Recent film composition credits include The Wise Kids, In Memoriam and both/and. He has received five Joseph Jefferson Awards, a Lucille Lortel Award, and an After Dark Award for an Original Musical. He had also been nominated for the Henry Hewes Design Award and was recently honored with The Michael Maggio Emerging Designer Award. When he is not busy fighting crime he performs with his band Seeking Wonderland or his Dynamic DJ Duo, The Ordeal. www.mikhailfiksel.com
Heather Gilbert's Chicago credits include: The Detective’s Wife, A Streetcar Named Desire, and The Old Settler (Writers’ Theatre) Home, Comedy of Errors, and The Mystery of Irma Vep, (Court Theatre), Honus and Me, Esperanza Rising, and The Hundred Dresses, (Chicago Children’s Theatre), TheFront Page, Master Harold and the Boys and Not Enough Air (Timeline Theatre), Our Town and Cabaret (Hypocrites) and A Separate Peace (Steppenwolf Theatre Company). Regional credits include A Streetcar Named Desire (Williamstown Theatre Festival), The Farnsworth Invention (Alley Theatre) and Off-Broadway credits include Our Town (Barrow Street Theatre). Upcoming projects include The Caretaker at Writers, Our Town at the Broad Stage in LA and The Better Half for Lucky Plush Productions in Chicago. Heather was a 1999-2001 recipient of the NEA/TCG Development Program Award. She serves as the Head of Lighting Design at Columbia College and received her MFA from The Theatre School at DePaul.
Clare Roche's stage management credits include: 13 Clocks (Lifeline), Macbeth and A Midsummer Night's Dream (Lakeside Shakespeare Theatre), 500 Clown Trapped (Adventure Stage/500 Clown), Sinbad: The Untold Tale (Adventure Stage), Cabaret (Hypocrites), Red Noses (Strawdog), Woody Guthrie's American Song (Blindfaith) and On My Parent's 100th Wedding Anniversary (Side Project) and travels with 500 Clown productions of Frankenstein and Macbeth. Clare also works as Master Electrician at Loyola University Chicago and resident designer at Sacred Heart Academy. She has most recently acted as Assistant Lighting Designer for Cyrano (House Theatre). Clare will next be assisting lights for Death and Harry Houdini (House) and Stage manager for The Giver (Adventure Stage).
Francisco Avina is a collaborating ensemble member with Lucky Plush Productions and a dancer with Ron De JesusDance. A former company member of Hubbard Street Dance Chicago, River North Chicago Dance Company, he also performed in Celine Dion's A New Day at Caesars Palace. Film and television dance appearances include Newsies, Batman and Robin, Fame L.A., the World Billboard Music Awards, Janet Jackson's music video Alright, and corporate industrials for Adidas, Canon, Nike, and Nintendo, among others. Choreography includes a Giannai Versace fashion show in Singapore, the 10th Annual American Choreography Awards in Los Angeles, Muscle Musical in Tokyo, TV Azteca Disney's La Seleccion and Yo Mexico in Mexico City, and Nickolodeon's Kid's Choice Awards with Justin Timberlake. He has created works for DanceWorks Chicago, Thodos Dance Chicago, and Ron DeJesus Dance, co-created a work with Stephanie Martinez for Luna Negra Dance Theater, and created three works for Hubbard Street 2, one having been earned by way of HS2's National Choreographic Competition. In 2012, Francisco received Youth America Grant Prix's Outstanding Choreography Award.
Benjamin Wardell began dancing at age ten in Memphis, TN. His professional career began with The Cincinnati Ballet, where he achieved the rank of soloist. From there he joined Alonzo King's LINES Ballet in San Francisco, where he remained for two years. While in San Francisco, Benjamin began to explore photography and videography, as well as the administrative aspects of art management with a non-profit organization named Urban Art Farm. In 2007 he joined Hubbard Street Dance Chicago. He danced there until September of 2011, when he left to pursue life as a freelance multimedia artist. He is currently a member of Aszure Barton and Artists, in addition to teaching, photographing, filming and performing all over Chicago. He is delighted to join the Ensemble of Lucky Plush Productions and looks forward to the development of this newest artistic relationship.